Kyoto

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I have been to Kyoto twice. On September 15, 2024, I took a one-day bus tour of the city: Fushimi Inari Taisha and its tunnels of torii in the morning, then Kiyomizu-dera, looking out over the city from the temple’s wooden stage, the Golden Pavilion at Kinkaku-ji in the afternoon, and the bamboo grove in Arashiyama at the end of the day. The next day, I caught the overnight ferry from Osaka to Busan. I came back on July 18, 2026, with my nephew, and this time we went up to the Iwatayama Monkey Park above Arashiyama, where people feed the monkeys from inside a hut, through the wire, then had grilled eel on rice for lunch and rode the Randen tram.
Photos from Kyoto
3 Kinkaku-ji, the Golden Pavilion, across the pond in front of it on a September afternoon. The top two of its three stories are covered in gold leaf and crowned with a golden phoenix, the ground floor is dark wood, and both roofs are dark shingles with sweeping eaves. The pond reflects the gold in rippling bands, a pine grows from a small island of rocks in the foreground, and wooded hills rise behind under a partly cloudy sky.
The Golden Pavilion, rebuilt in 1955 after a monk burned it down.
The wooden stage of the main hall at Kiyomizu-dera, built out over the hillside on a lattice of tall pillars and crowded with visitors along its railing. The hall’s sweeping roof, with a gilded gable, fills the upper right, and the trees on the slope below are dense and green, a few of them just starting to turn orange. Across the valley, the city spreads out to the mountains on the horizon, with Kyoto Tower standing out in the middle, under a sky of broken cloud.
Kiyomizu-dera’s stage, looking out over the city from the eastern hills.
A Japanese macaque at the Iwatayama Monkey Park, seen from inside the feeding hut at the top of the hill. The monkey sits on the ledge outside with its arms stretched along the wire grille and one hand reaching in, looking straight at the camera. Behind it, the hillside drops away into dense green forest.
At the monkey park above Arashiyama, it is the people who stay behind the wire.
