Bhaktapur

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Bhaktapur, on the eastern side of the Kathmandu Valley, was the capital of one of the valley’s three Malla kingdoms, and its old center is still a city of brick squares, tiered temples, and carved wooden windows. I spent the afternoon of September 17, 2022, there, between a morning at Boudhanath and Pashupatinath in Kathmandu and the evening at Nagarkot. It rained on and off. I came in past shops selling juju dhau, the city’s sweet curd, to Durbar Square, where King Bhupatindra Malla sits on his column before the Palace of Fifty-Five Windows, and the Fasidega temple, destroyed in the 2015 earthquake, stands again on its stepped plinth. My last stop was the Peacock Window, carved in the fifteenth century, just off Dattatreya Square.
Photos from Bhaktapur
3 Bhaktapur Durbar Square after a shower, its herringbone brick paving shining. On the left, a white building with carved wooden columns and shuttered windows is braced with timber shores. Ahead stand the gilded Golden Gate and the long brick front of the Palace of Fifty-Five Windows, the stone spire of the Vatsala temple, and a two-tiered pavilion, and on the right King Bhupatindra Malla sits on top of a stone column, his hands folded in prayer. Visitors walk across the square under a blue sky of white clouds.
Durbar Square, where King Bhupatindra Malla faces his Palace of Fifty-Five Windows.
The Fasidega temple in Bhaktapur Durbar Square: a tall spire of reddish stone with a gilded finial, ringed by smaller turrets and an open colonnade, on a plinth of six brick tiers. Pairs of stone elephants and lions guard the steep stairs up the middle, people sit and stand on the steps, and parking signs, cars, and motorbikes crowd the wet paving in front, below a sky of white cloud.
The Fasidega temple to Shiva, standing again after the 2015 earthquake.
The Peacock Window, set in the brick wall of the Pujari Math, a priests’ house off Dattatreya Square: a dark wooden frame carved with flowers, beasts, and tiny figures around a round lattice, where a peacock stands with its tail fanned out behind it. Below, a carved doorway carries a hand-lettered sign calling the window the “Mona Lisa of Nepal,” and above that a shop’s sign offers a nice picture from the opposite window, free.
The Peacock Window, carved in the early fifteenth century.
