Shirakawa-go (Shirakawa)

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Shirakawa-go was our second stop on July 22, 2026, after a morning in Nanto. It shares a World Heritage listing with the villages of Gokayama, and Ogimachi, its main village, is the largest of them. My nephew and I started at Myozen-ji, the village temple, whose old living quarters, one of the largest gassho-zukuri houses in Ogimachi, are now a museum of how people here lived, then walked out among the thatched farmhouses and the rice paddies that still grow between them.
Photos from Shirakawa-go (Shirakawa)
3 Two gassho-zukuri farmhouses in Ogimachi, across a paddy of young rice. Their thatched roofs rise steeply to the ridge, steep enough to shed the heavy winter snow, and their gable ends are set with rows of windows that once lit attics used for raising silkworms. A smaller building with a tiled roof and a pine stand between them, a car is parked in front of the house on the left, and wooded mountains rise behind under a hazy sky.
The roofs are said to look like hands pressed together in prayer, which is what gassho means.
Inside the main hall of Myozen-ji, a Jodo Shinshu temple founded in Ogimachi in 1748. Through open black-lacquered doors, the inner sanctuary glows with gold: a gilded altar, a small standing Buddha in a golden shrine, and walls painted with lotuses. The sliding doors on either side are painted with pines and cranes, gilded carved panels run above them, and blue and white banners printed with Buddhist verses hang at either end. A round carved wooden plaque and an offering box stand on the matted floor in front.
Myozen-ji, the temple at the heart of Ogimachi since 1748.
The upper floor of the Myozen-ji museum, in the temple’s old living quarters, one of the largest gassho-zukuri houses in the village. Straw boots and sandals, woven baskets, coils of rope, and wooden tools are laid out on low platforms behind a wooden rail, with a big cartwheel and a frame for weaving the straw bags that rice was kept in behind them. A black board headed “Making straw goods” shows, in rows of orange pictures, how much a household made over the snowbound winter to last it the coming year, and the thick roof timbers, lashed with rope, run overhead.
The attic of the Myozen-ji museum, where the tools of village life are kept.
